The superscript “7” in every analysis symbol below means “minor 7th above the root.” ii7, V7, vi7, iii7

The chord V7 is found within which color below?   Note the following if colors are not showing correctly on your computer screen: green: 1st half of measure 2 blue: 2nd half of measure 2 orange: 1st half of measure 3 red: 2nd half of measure 3 yellow: 1st half of measure 4 

The three most prominently used chords in the piece below are:  

The chord shown below functions as vii06/ iv in the key of ____ . (Note: please enter your answer as “X minor,” “Y major,” “Z-flat minor,” or “Q-sharp major.” Be sure to include a dash, if needed, and a space.)

The “A” section of the piece below constitutes a ______ .  

The chorale below by means of . (Note: please be sure to select two answers.)

Secondary dominants and secondary leading tone chords have their own voice leading rules, different from those which govern the use of non-altered chords.

Choose all the keys closely related to D minor

Select the remaining pitches necessary to spell the 7th chord indicated below:  (Hint: dd means “diminished-diminished”)

The pivot chord in the common chord modulation below is best described as chord number _____ . (Hint: note carefully the key in which this chorale begins)