Lady Macbeth (Act 1; Scene V): Glamis thou art, and Cawdor; and shalt beWhat thou art promised: yet do I fear thy nature;It is too full o’ the milk of human kindnessTo catch the nearest way: thou wouldst be great;Art not without ambition, but withoutThe illness should attend it: what thou wouldst highly,That wouldst thou holily; wouldst not play false,And yet wouldst wrongly win:thou’ldst have, great Glamis,That which cries ‘Thus thou must do, if thou have it;And that which rather thou dost fear to doThan wishest should be undone.’ Hie thee hither,That I may pour my spirits in thine ear;And chastise with the valour of my tongueAll that impedes thee from the golden round,Which fate and metaphysical aid doth seemTo have thee crown’d withal. Macbeth (Act 1; Scene VII): He’s here in double trust;First, as I am his kinsman and his subject,Strong both against the deed; then, as his host,Who should against his murderer shut the door,Not bear the knife myself. Besides, this DuncanHath borne his faculties so meek, hath beenSo clear in his great office, that his virtuesWill plead like angels, trumpet-tongued, againstThe deep damnation of his taking-off;And pity, like a naked new-born babe,Striding the blast, or heaven’s cherubim, horsedUpon the sightless couriers of the air,Shall blow the horrid deed in every eye,That tears shall drown the wind. I have no spurTo prick the sides of my intent, but onlyVaulting ambition, which o’erleaps itselfAnd falls on the other. Use the excerpts from Macbeth to complete the following task: Write an essay of at least three paragraphs, supporting the assertion that Lady Macbeth and Macbeth both waver between extreme confidence and great doubt. Be sure to include evidence from the text to support your answer. Remember to clearly state your main point and use correct citation in your response. (100 points)

(MC) Which word best completes the sentence below? The gymnast’s ________ body moved gracefully, masterfully across the balance beam, never missing a beat or her step. (4 points)

(LC) At what point in the process would it be best to complete an outline? (4 points)

(MC) Which of the following corrects the error in meaning and usage in the sentence below? I cannot help but be offended by the imply that I am always tardy to work and class. (4 points)

(LC) From The Adventures of Tom Sawyer by Mark Twain Then her conscience reproached her, and she yearned to say something kind and loving; but she judged that this would be construed into a confession that she had been in the wrong, and discipline forbade that. So she kept silence, and went about her affairs with a troubled heart. Tom sulked in a corner and exalted his woes. He knew that in her heart his aunt was on her knees to him, and he was morosely gratified by the consciousness of it. He would hang out no signals, he would take notice of none. He knew that a yearning glance fell upon him, now and then, through a film of tears, but he refused recognition of it. He pictured himself lying sick unto death and his aunt bending over him beseeching one little forgiving word, but he would turn his face to the wall, and die with that word unsaid. Ah, how would she feel then? And he pictured himself brought home from the river, dead, with his curls all wet, and his sore heart at rest. How she would throw herself upon him, and how her tears would fall like rain, and her lips pray God to give her back her boy and she would never, never abuse him any more! But he would lie there cold and white and make no sign—a poor little sufferer, whose griefs were at an end. He so worked upon his feelings with the pathos of these dreams, that he had to keep swallowing, he was so like to choke; and his eyes swam in a blur of water, which overflowed when he winked, and ran down and trickled from the end of his nose. And such a luxury to him was this petting of his sorrows, that he could not bear to have any worldly cheeriness or any grating delight intrude upon it; it was too sacred for such contact; and so, presently, when his cousin Mary danced in, all alive with the joy of seeing home again after an age-long visit of one week to the country, he got up and moved in clouds and darkness out at one door as she brought song and sunshine in at the other. Read these lines from the excerpt again: He would hang out no signals, he would take notice of none. He knew that a yearning glance fell upon him, now and then, through a film of tears, but he refused recognition of it. Based on the information about Tom’s aunt provided in these lines from the excerpt, it is clear that (4 points)

(LC) At which point in the writing process is it best to determine the voice and tone of your writing? (4 points)

(MC) Which of the following corrects the error in meaning and usage in the sentence below? The speaker’s message had a certain resonate with the younger members of the audience. (4 points)

(LC) From “The Tyranny of Things” by Elizabeth Morris Two fifteen-year-old girls stood eyeing one another on first acquaintance. Finally one little girl said, “Which do you like best, people or things?” The other little girl said, “Things.” They were friends at once. I suppose we all go through a phase when we like things best; and not only like them, but want to possess them under our hand. The passion for accumulation is upon us. We make “collections,” we fill our rooms, our walls, our tables, our desks, with things, things, things. Many people never pass out of this phase. They never see a flower without wanting to pick it and put it in a vase, they never enjoy a book without wanting to own it, nor a picture without wanting to hang it on their walls. They keep photographs of all their friends and kodak albums of all the places they visit, they save all their theater programmes and dinner cards, they bring home all their alpenstocks. Their houses are filled with an undigested mass of things, like the terminal moraine where a glacier dumps at length everything it has picked up during its progress through the lands. But to some of us a day comes when we begin to grow weary of things. We realize that we do not possess them; they possess us. Our books are a burden to us, our pictures have destroyed every restful wall-space, our china is a care, our photographs drive us mad, our programmes and alpenstocks fill us with loathing. We feel stifled with the sense of things, and our problem becomes, not how much we can accumulate, but how much we can do without. We send our books to the village library, and our pictures to the college settlement. Such things as we cannot give away, and have not the courage to destroy, we stack in the garret, where they lie huddled in dim and dusty heaps, removed from our sight, to be sure, yet still faintly importunate. Then, as we breathe more freely in the clear space that we have made for ourselves, we grow aware that we must not relax our vigilance, or we shall be once more overwhelmed. For it is an age of things. As I walk through the shops at Christmas time and survey their contents, I find it a most depressing spectacle. All of us have too many things already, and here are more! And everybody is going to send some of them to everybody else! I sympathize with one of my friends, who, at the end of the Christmas festivities, said, “If I see another bit of tissue paper and red ribbon, I shall scream.” It extends to all our doings. For every event there is a “souvenir.” We cannot go to luncheon and meet our friends but we must receive a token to carry away. Even our children cannot have a birthday party, and play games, and eat good things, and be happy. The host must receive gifts from every little guest, and provide in return some little remembrance for each to take home. Truly, on all sides we are beset, and we go lumbering along through life like a ship encrusted with barnacles, which can never cut the waves clean and sure and swift until she has been scraped bare again. And there seems little hope for us this side our last port. And to think that there was a time when folk had not even that hope! When a man’s possessions were burned with him, so that he might, forsooth, have them all about him in the next world! Suffocating thought! To think one could not even then be clear of things, and make at least a fresh start! That must, indeed, have been in the childhood of the race. One central idea of Morris’s essay is that getting rid of things can be a relief for people. Which detail helps illustrate that idea? (4 points)

(LC) “The Old Swimmin’ Hole” by James Whitcomb Riley OH! the old swimmin’–hole! whare the crick so still and deepLooked like a baby-river that was laying half asleep,And the gurgle of the worter round the drift jest belowSounded like the laugh of something we onc’t ust to knowBefore we could remember anything but the eyesOf the angels lookin’ out as we left Paradise;But the merry days of youth is beyond our controle,And it’s hard to part ferever with the old swimmin’–hole. Oh! the old swimmin’–hole! In the happy days of yore,When I ust to lean above it on the old sickamore,Oh! it showed me a face in its warm sunny tideThat gazed back at me so gay and glorified,It made me love myself, as I leaped to caressMy shadder smilin’ up at me with sich tenderness.But them days is past and gone, and old Time’s tuck his tollFrom the old man come back to the old swimmin’–hole. Oh! the old swimmin’–hole! In the long, lazy-daysWhen the humdrum of school made so many run-a-ways,How plesant was the jurney down the old dusty lane,Whare the tracks of our bare feet was all printed so planeYou could tell by the dent of the heel and the soleThey was lots o’fun on hands at the old swimmin’–hole.But the lost joys is past! Let your tears in sorrow rollLike the rain that ust to dapple up the old swimmin’–hole. There the bullrushes growed, and the cattails so tall,And the sunshine and shadder fell over it all;And it mottled the worter with amber and goldTel the glad lilies rocked in the ripples that rolled;And the snake-feeder’s four gauzy wings fluttered byLike the ghost of a daisy dropped out of the sky,Or a wounded apple-blossom in the breeze’s controleAs it cut acrost some orchurd to’rds the old swimmin’–hole. Oh! the old swimmin’—hole! When I last saw the place,The scene was all changed, like the change in my face;The bridge of the railroad now crosses the spotWhare the old divin’–log lays sunk and fergot.And I stray down the banks whare the trees ust to be –But never again will theyr shade shelter me!And I wish in my sorrow I could strip to the soul,And dive off in my grave like the old swimmin’–hole. Read these lines from the poem again: And I wish in my sorrow I could strip to the soul,And dive off in my grave like the old swimmin’–hole. These lines from the poem illustrate that the speaker (4 points)

(LC) From “The Tyranny of Things” by Elizabeth Morris Once upon a time, when I was very tired, I chanced to go away to a little house by the sea. “It is empty,” they said, “but you can easily furnish it.” Empty! Yes, thank Heaven! Furnish it? Heaven forbid! Its floors were bare, its walls were bare, its tables there were only two in the house were bare. There was nothing in the closets but books; nothing in the bureau drawers but the smell of clean, fresh wood; nothing in the kitchen but an oil stove, and a few a very few dishes; nothing in the attic but rafters and sunshine, and a view of the sea. After I had been there an hour there descended upon me a great peace, a sense of freedom, of in finite leisure. In the twilight I sat before the flickering embers of the open fire, and looked out through the open door to the sea, and asked myself, “Why?” Then the answer came: I was emancipated from things. There was nothing in the house to demand care, to claim attention, to cumber my consciousness with its insistent, unchanging companionship. There was nothing but a shelter, and outside, the fields and marshes, the shore and the sea. These did not have to be taken down and put up and arranged and dusted and cared for. They were not things at all, they were powers, presences. And so I rested. While the spell was still unbroken, I came away. For broken it would have been, I know, had I not fled first. Even in this refuge the enemy would have pursued me, found me out, encompassed me. If we could but free ourselves once for all, how simple life might become! One of my friends, who, with six young children and only one servant, keeps a spotless house and a soul serene, told me once how she did it. “My dear, once a month I give away every single thing in the house that we do not imperatively need. It sounds wasteful, but I don’t believe it really is. Sometimes Jeremiah mourns over missing old clothes, or back numbers of the magazines, but I tell him if he doesn’t want to be mated to a gibbering maniac he will let me do as I like.” The old monks knew all this very well. One wonders sometimes how they got their power; but go up to Fiesole, and sit a while in one of those little, bare, white-walled cells, and you will begin to understand. If there were any spiritual force in one, it would have to come out there. I have not their courage, and I win no such freedom. I allow myself to be overwhelmed by the invading host of things, making fitful resistance, but without any real steadiness of purpose. Yet never do I wholly give up the struggle, and in my heart I cherish an ideal, remotely typified by that empty little house beside the sea. Which word from the excerpt describes Morris’s feelings about the absence of things? (4 points)