As explained in class, when science-fiction films emerged in the 1950s, they were essentially a subgenre of . Star Wars (1977), however, was more of a set in space.

As a feature of its alternative narrative, the film Memento ultimately reveals that Leonard is a(n) _____narrator.

As explained in class, Jeff’s apartment in Rear Window, the boxing ring in Raging Bull, and the swimming pool in The Graduate are all _____ narrative spaces.

Many of Mel Brooks’ films, including Blazing Saddles (1974), are most accurately categorized as of the genre and some other genre.

Rather than relying on a camera’s subjective POV for an entire film, most narrative films which tell stories from a single character’s perspective use _____ instead.

With regard to evaluating genre films, viewers who, for example, judge all westerns based on how they compare to Stagecoach (1939), or all comedies based on how they compare to Some Like it Hot (1959), are following a(n) approach and applying a(n) paradigm.

Genre-wise, the films The Wizard of Oz (1939), Les Misérables (2012), and La La Land (2016) are all best categorized as _____.

A figurative type of character that is so exaggerated or flat that it no longer feels realistic, such as a child that represents innocence, is called a(n) _____.

In the opening minutes of the PBS Frontline documentary about the protests and subsequent violent conflict in Charlottesville, Virginia, the narrator states that the film seeks to investigate hate groups in the U.S. This indicates that the film has a(n) _____ rhetorical position.

As discussed in class, the factory with the monstrous machine in Fritz Lang’s Metropolis (1927) is an example of a(n) _____ narrative space.