Answer one of these questions in 1 – 3 sentences. 1. “There…
Answer one of these questions in 1 – 3 sentences. 1. “There is an element of normal behavior at the heart of most psychological disorders”. What does this statement mean, according to psychologists? 2. What is the DSM 5? How is it helpful in diagnosis of disorder?
Answer one of these questions in 1 – 3 sentences. 1. “There…
Questions
Answer оne оf these questiоns in 1 - 3 sentences. 1. "There is аn element of normаl behаvior at the heart of most psychological disorders". What does this statement mean, according to psychologists? 2. What is the DSM 5? How is it helpful in diagnosis of disorder?
The regressiоn оutput shоwn below аttempts to аnswer the question ? Whаt drives weight? , a correct equation of sample regression is?
ENG 601: Film Adаptаtiоn Finаl Exam (Graduate) Fall 2025 Chооse ONE of the following prompts and write an extended essay that demonstrates your knowledge and analytical skills. You have 2 hours to write the essay, modelling the MA comprehensive exam [expectation of 1,200 – 1,500 words— 4-8 pages]. You may not bring notes or sources. You do not need to quote but you should indicate a solid grasp of the texts with as much relevant detailed evidence as possible. Do not simply summarize.**SCROLL ALL THE WAY DOWN START ESSAY BELOW**Question 1Film theorist Deborah Cartmell suggests that “The adaptive process is always inflected by power, ideology, and cultural economy,” while Linda Hutchson asserts that “Texts are rewritten in new historical contexts to address new cultural anxieties.” Drawing on Hutcheon and Cartmell, write an essay considering how two of the course’s adaptations function as cultural interventions. How do the adaptive choices in the films you select—whether narrative changes, shifts in characterization, alterations in tone or genre, or new technological modes of representation—respond to the ideological pressures and cultural conditions of their historical moment?Question 2In her book A Theory of Adaptation, Linda Hutcheon argues that “Adaptation is repetition, but repetition without replication. And therein lies its creativity and its pleasure.” Using Hutcheon’s claim that adaptation is “repetition without replication,” write an essay evaluating how at least two of the film adaptations studied in this course transform, reinterpret, or strategically revise their source texts. In developing your argument, address the tension between familiarity and innovation; the interpretive pressures placed on adapters; and the ways specific cinematic choices (visual style, performance, narrative structure, music, pacing) build new meaning from familiar material. Draw on additional theorists from the course as needed, and support your analysis with close attention to film form.Question 3Robert Stam, in “Beyond Fidelity: The Dialogics of Adaptation,” argues that fidelity discourse oversimplifies the adaptive process: “Fidelity is an ethically loaded term that presupposes some unproblematic notion of textual ‘ownership’ and ‘originality.” Using this claim as your starting point, write an essay that considers how two or more adaptations from the course challenge, complicate, or reject fidelity as a primary criterion of value. Discuss how medium specificity, historical context, industrial conditions, and creative vision shape the film adaptations in ways that fidelity-focused criticism cannot fully account for. You may consider adaptations of Beowulf, The Great Gatsby, The Turn of the Screw, Strangers on a Train, The Wizard of Oz, or any combination thereof. *****************************Name:Question #:Start your essay here