Secondary dominants and secondary leading tone chords have their own voice leading rules, different from those which govern the use of non-altered chords.
Choose all the keys closely related to D minor
Choose all the keys closely related to D minor
Select the remaining pitches necessary to spell the 7th chor…
Select the remaining pitches necessary to spell the 7th chord indicated below: (Hint: dd means “diminished-diminished”)
The pivot chord in the common chord modulation below is best…
The pivot chord in the common chord modulation below is best described as chord number _____ . (Hint: note carefully the key in which this chorale begins)
The piece below is in ______ form. Note: several of the…
The piece below is in ______ form. Note: several of the next questions will refer to aspects of this piece.
According to the text, secondary dominants are “altered chor…
According to the text, secondary dominants are “altered chords.”
A IV7 chord is found on the [beat] beat of measure [measure]…
A IV7 chord is found on the beat of measure .
The most correct name for the second phrase of the piece bel…
The most correct name for the second phrase of the piece below is ______ .
A common chord modulation requires that all chords of the en…
A common chord modulation requires that all chords of the entire piece be explicable in both keys.
Formal sections in binary or ternary form are most commonly …
Formal sections in binary or ternary form are most commonly formed of a single phrase.