Why do you think Klay uses “you” in the following passage? …
Why do you think Klay uses “you” in the following passage? If I were to shoot you on either side of your heart, one shot . . . and then another, you’d have twopunctured lungs, two sucking chest wounds. Now you’re good and fucked. But you’ll still be alivelong enough to feel your lungs fill up with blood. If I shoot you there with the shots coming fast, it’s no problem. The ripples tear up your heart andlungs and you don’t do the death rattle, you just die. There’s shock, but no pain. I pulled thetrigger, felt the recoil, and focused on the sights, not on Vicar, three times. Two bullets torethrough his chest, one through his skull, and the bullets came fast, too fast to feel. That’s how itshould be done, each shot coming quick after the last so you can’t even try to recover, which iswhen it hurts. What rhetorical (logos, pathos, ethos) effect does his usage of “you” have on the reader and his argument?